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	<title>Comments on: Stop the Nakedness! (short film)</title>
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	<link>http://backpackcinema.com/2010/02/01/stop-the-nakedness-short-film/</link>
	<description>John Marc Green&#039;s Blog &#38; Portfolio</description>
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		<title>By: jmgmedia</title>
		<link>http://backpackcinema.com/2010/02/01/stop-the-nakedness-short-film/#comment-48</link>
		<dc:creator>jmgmedia</dc:creator>
		<pubDate>Sat, 06 Feb 2010 12:05:19 +0000</pubDate>
		<guid isPermaLink="false">http://backpackcinema.com/?p=408#comment-48</guid>
		<description>Hey Donald, no offense intended. The audio is not that bad; considering the circumstances I am VERY impressed with your sound gear (Neumann mic!) and the noise reduction capability of Soundtrack Pro. You might not have it in your budget to do a wireless mic setup; one thing I have done with clients is recommend a high quality digital recorder like the Zoom H4n or Edirol R-09 HD recorder, paired with an inexpensive lav mic with a headphone plug straight into the unit. One sound supplier in my city sells a decent plug-in lav mic for about $40, which sounds amazing when you plug it into a really good digital audio recorder like the Edirol.

You can treat it just like the transmitter part of a wireless setup; just clip it onto the subject and let them drop it into a pocket or clip it on their belt and hide the wire. Then you can synch it up later with PluralEyes just like you would normally. It&#039;s also great because in urban or business environments, you can avoid radio or Blackberry interference like you might get with a wireless setup.

Again, great video even with some sound issues, that only a professional would probably ever notice.</description>
		<content:encoded><![CDATA[<p>Hey Donald, no offense intended. The audio is not that bad; considering the circumstances I am VERY impressed with your sound gear (Neumann mic!) and the noise reduction capability of Soundtrack Pro. You might not have it in your budget to do a wireless mic setup; one thing I have done with clients is recommend a high quality digital recorder like the Zoom H4n or Edirol R-09 HD recorder, paired with an inexpensive lav mic with a headphone plug straight into the unit. One sound supplier in my city sells a decent plug-in lav mic for about $40, which sounds amazing when you plug it into a really good digital audio recorder like the Edirol.</p>
<p>You can treat it just like the transmitter part of a wireless setup; just clip it onto the subject and let them drop it into a pocket or clip it on their belt and hide the wire. Then you can synch it up later with PluralEyes just like you would normally. It&#8217;s also great because in urban or business environments, you can avoid radio or Blackberry interference like you might get with a wireless setup.</p>
<p>Again, great video even with some sound issues, that only a professional would probably ever notice.</p>
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		<title>By: Donald Kilgore</title>
		<link>http://backpackcinema.com/2010/02/01/stop-the-nakedness-short-film/#comment-47</link>
		<dc:creator>Donald Kilgore</dc:creator>
		<pubDate>Fri, 05 Feb 2010 23:28:37 +0000</pubDate>
		<guid isPermaLink="false">http://backpackcinema.com/?p=408#comment-47</guid>
		<description>A NOTE ABOUT THE AUDIO IN THIS PRODUCTION:

Audio in this documentary was recorded using dual system audio. I use the Zoom H4n and a Neumann boom mic along with the 5D for production. On some of the interviews a good bit of outside noise was picked up (city sounds, tour bus, air conditioning, etc.). To reduce the noise I used the noise reduction plugin inside of Soundtrack Pro. It is the noise processing that is causing some of the audio to sound as if it were recorded inside of a tin can. 

In noisy environments such as this a lav mic would have prevented the need for noise reduction and would have resulted in higher quality audio.</description>
		<content:encoded><![CDATA[<p>A NOTE ABOUT THE AUDIO IN THIS PRODUCTION:</p>
<p>Audio in this documentary was recorded using dual system audio. I use the Zoom H4n and a Neumann boom mic along with the 5D for production. On some of the interviews a good bit of outside noise was picked up (city sounds, tour bus, air conditioning, etc.). To reduce the noise I used the noise reduction plugin inside of Soundtrack Pro. It is the noise processing that is causing some of the audio to sound as if it were recorded inside of a tin can. </p>
<p>In noisy environments such as this a lav mic would have prevented the need for noise reduction and would have resulted in higher quality audio.</p>
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